Facebook 3x5 Challenge: Day 4

I apologize to my enormous fan base. Both of you have surely been waiting for this post. I was out of town a couple times recently. Those days when I was home were busy days, leaving little time for blogging, I'm afraid. Finally, we can continue with Day 4 of the Facebook 3x5 Challenge.

The Logos

Today I am taking a folder from the file cabinet marked 'Logos'. Officially, I only worked a few years in the graphic design field. Unofficially, I have never really left that line of work behind, when you consider the art that I make is often defined by the use of type and advertising-esque compositions.

I still pick up occasional projects that require a logo or t-shirt design, or even laying a brochure or mailer. Honestly, I was trained well and I have great skill in that arena. There is a small number of people, who know my history and abilities, that still come to me for design work. The infrequency is comfortable and very rewarding. Simply put, I enjoy graphic design when it is on my terms. When it becomes 'production art', I enjoy it far less, and that is what caused me to learn a different trade.

1.) The first Logo is that of Solid Rock Engineering. The company was looking to incorporate a feeling of patriotism within a simple logo. I do not remember a great deal of time going by before the choice was made. For me, the right side of the star following the shape of the R is perhaps the greatest element of all the logos I have created.

The one thing I did not design was the middle 'stripe' in the E. My design had all 3 stripes ending equally. That seems so minor, I know, but that is how I think when I get down with logos, dig?

2.) The second logo was for a folk music act out of Idyllwild known as faultline. If you read the video posts I made a couple days ago, this is the band that was used in the staircase video. They used it for the CD cover, and I recall getting a t-shirt with the art on it. I am not sure how much life the logo had. I know it does not show up anywhere online that I could find.

In any case, I am pleased with it. The picture I show here is pretty crappy, but you get the idea. The seismograph resembles a turntable, and it has an unintentional retro feel to it that I think is really groovy.

3.) The third is not really a logo, but something I assembled for my neighbor. Charlie is stuck in the heavy metal era of decades past. One day, while I was looking at the Ozzy logo, I saw how the 'O' could easily be a 'C'. That lead me to browse all of the classic logos, studying the typefaces, and tracing select letters in Illustrator. In the end I had assembled a font, A to Z, using heavy metal and rock band logos. From there, it was a simple matter to put together Charlie's name. He loved it, of course, and it still hangs on his living room wall to this day.

Facebook 3x5 Challenge: Day 3

The Boards

There have been few more memorable pieces than the skateboards and surfboards. I was raised in San Diego, and I spent my teen years, in the 1980s, riding a skateboard every moment I could. Much of the time when I was not riding one, I was drawing on one. At first, I would do the art on the bottom, until I realized that doing the art on the grip tape went a long way towards preserving the image.

I can not recall how many boards I have done, but it is safe to say dozens+. I think 2010 was that last to roll off the line. Pictured here, it was my son's skateboard. As I am known to do, I mocked a corporate logo. In this case, I butchered the Sega logo, creating the anagram of my son's name: Sage.

A year later, I hooked up with Solid Surfboards for a project. They had a customer who wanted 2 boards, each with art that resembled the grain and color of his Gibson(?) guitar. Shown here are the top of one board, and the bottom of the other. I had hoped to continue doing side-work for them, but they hired someone to paint full time, which was not a job I could take.

The other surfboard features the classic Dr. Eye image. This one goes back 11 years. My beloved nephew, Robert, asked if I could create the art for a board he was having made. He gave me free reign, which was nice.

Thats a toe with a valve stem you see there. You see, my brother, Doug Provins, would sometimes call my nephew Roberto, which was easily changed to Rubber Toe. And that, as they say, is that.

Facebook 3x5 Challenge: Day 2

Day 2, 3x5 Challenge

Todays triad will be a video set.

The first video is an art piece I made for the first show I was a part of. Thanks to Visual SD for that opportunity. It is titled 'Inside the Box Outside'. The inane act of tossing one's shoes onto electrical wires was my inspiration, though my piece depicted the opposite.

The box was a surplus military ammo box painted sky blue with some faint clouds painted inside. A discarded running shoe was bisected on the band saw and mounted as shown. The telephone poles I made by hand from scrap wood.

What you can not see, but can hear in the video, is the 'urban sounds' I compiled for the experience. The looping collection of neighborhood audio clips was piped through tiny speakers hidden in each shoe and connected to a tiny .mp3 player hidden in an altoids tin attached to the side of the box.

The second video shows my attempt at an animated walk-cycle. I used a character I had created back in Junior High, a beatnik I called Dr. Eye. I did not have any reason, other than curiosity, for attempting this, and the only program I had to animate this was Windows Movie Maker. Despite the lack of knowledge and software, I successfully animated an old friend, and that is very satisfying.

For some strange reason, I am unable to add this video in the same manner I have added the other two. I guess we will have to use the good old link instead.

View second video HERE.

The third video is a vague record of some steps I took in creating a beautiful staircase back in 2008. It was the largest project of its type I have ever done, before or since. I took too much time and charged too little money, but the results were gratifying. Luckily, I have a patient wife, Tae Provins, who, incidentally, put in her share of hours helping me sand all the wood. Good times.

The song, Hickory Wind, was used because A.) the group performing the song were customers who had previously hired me to do some graphic design work, B.) the staircase was made from hickory, and C.) I am incredibly clever.

The Facebook 3x5 Challenge: Day 1

I was invited on Facebook to join in the "3x5 Challenge". There are no posted guidelines that I can find, but I have gathered that the event is as follows:

Someone nominated/ challenged me to participate> I accepted the challenge>  Once per day I must post 3 images of my art, new or old, and reference the Challenge> I must challenge an artist not already participating to do so> I must repeat this for 5 days.

I know what you are thinking- pyramid scheme. I thought so, too. But, the story checks out. It is, if anything, a good way to get art out there for more people to see. My approach is going to be a retrospective collection of my art through the years and across many mediums. It will be as enlightening as it is tedious, I promise.

So, for the next 5 blog posts, I will be pasting directly from my Facebook page.

________________________________________________________

I Day 1, 3x5 Challenge

Challenger: Bd Dombrowsky

Not aware of any guidelines, so I will be posting images from all 23 corners of the room of my life in the art realm. Day one has a threesome of editorial cartoons from way back when I was barely old enough to buy beer.

My first job out of art school was as a graphic artist in a real live newspaper art department. The industry had just taken its first steps in the brave new world of computer-aided publishing. We built our ads on the computer, but all the page layouts were wax, cut and paste. Ads with color often required hand-cut overlays. The experience was unforgettable. I dare say, in my opinion, the old 'caveman' production methods were more rewarding: Chemicals for developing half-tones... using an exacto knife for hours at a time, each day... a cigarette-friendly breakroom... I am laughing as I type this, but, that was back when graphic design was dangerous! Ancient history...

For extra loot, I took on editorial cartoons for 2 newspapers. Even my cartoons here show their age when you consider the 'zip-tone' used for shaded areas. If zip-tone was not available, I would utilize the memories of all those old Fat Freddy comics, and shade the cartoon Gilbert Shelton-style.
The cartoons were always meant to accompany a specific editorial, and rarely did they deal with subjects I gave a hoot about.

the mudslinging toon is timeless subject matter for an editorial cartoon.

The kid being stalked... uhhh, I don't know. Maybe they did a groundbreaking editorial on the dangers of walking to school.

The CalTrans/ Heroin metaphor is priceless, and completely "what the hell...?".
So, day one completed. I hope you enjoyed it as much as I.
EDIT: This one will be an international draft pick. Ms. Jessica Uzuki Cheverie, hailing from New Brunswick, I invite you to join the 3x5 challenge.

Frankenbench Lives!!!

Way back in 2011, when this blog still had stars in its eyes, before the weight of the world had crushed its bloggy spirit, I discussed a bench I was making. Go ahead and click the link if you do not know about the mythic bench. I likened it to Bigfoot because, while others had heard about the bench for a long time, no one had ever actually seen it. When I published that addition to my blog back in 2011, I was positive that the bench would be completed in the following weeks.

And I was right.

Ladies and gentlemen, just 161 short weeks later, I give you.... the bench.

To recap, the bench started its life as a discarded chair. The alley treasure did not have cushions, but the wood was sturdy and it showed potential. What I saw was a bench trapped in a chair's body. So, I replaceded all of the crossmembers with wider pieces of lumber. What is original is just the sides, including the legs and armrests.

The tops of the back legs had previously had some sort of wood ornamentation. I think they were simple spheres. Once the decision was made to give the bench the Tijuana color treatment, I figured carved skulls would be a better fit. The screws in the eyes, you will notice, are phillips-head in one, and slotted in the other. There is a reason for this, but I will take that secret to the grave. (Or, I will reveal it in my tell-all life story sometime down the road.)

I am very pleased with the way the bench turned out. I like the colors. My wife made a lovely set of cushions for it, despite my disappointing choice of fabric. My favorite touch, though, is the dice. The legs had the square shape there already. Somehow I hit upon the idea of changing them to look like dice. I could have simply painted the dots on with black paint, but a forstner bit and a drill were the real ticket to making a mediocre design element a stellar design element.

I realized that the back of the bench may not be seen much, depending upon where it finally finds a home, but I was not satisfied with simply painting it. This iconic Day of the Dead image was simple to reproduce and adds the jazz I felt was needed.

I hope to sell the bench for $500. I have not tested the market yet, as it was officially finished just a couple hours ago. Like most of my artistic endeavors, this bench will go great in a handful of homes, but will not look good in most. It will be up to the cosmos to see that one of the few people who want this monster are lucky enough to actually see it. I am not worried. I have a good feeling about this one.

Swingnaut, part deux

For those of you paying attention, I posted some art a ways back that I co-created with the brilliant Wes Smith. The subject was a mash-up of images I had absorbed from all manner of media- TV, magazines, movies, etc.- pertaining to the atomic era of the 1960s. Specifically, I saw the 60's defined as astronauts, adult beverages, cigarettes, and lounges.

However misguided my imagination was, that is what I saw in my head. The resulting art, which was painted on an amoebic piece of wood, was a delightful astronaut that made me smile when I saw it. I guess I could not leave well enough alone. I decided to give the old guy a little more life by creating him as a wall sculpture. (note to self... find out if 'wall sculpture' is actual terminology in use, and see if it describes what we are talking about.)

This hep cat is roughly 2.5 feet tall from top to bottom. I used mdf fiberboard for the majority of it, carving into it with scooped chisels I picked up in Japan. The bartop is a slab of oak. The stool was particularly trying because the legs broke a couple times, They were just too brittle for my heavy monkey hands. They survived the third fix, and I was able to hang it.

I am pleased with the way in which the hands were carved out to hold the martini (thin plastic) and the cigarette (wooden dowel.) I should have taken a close-up photo of the cigarette. I took an especially long time on it and am very pleased with the realism, which includes an ember that, if you squint, looks like it is really lit.

The ultimate compliment, for me, is that it sold. I hope the person who bought it has a softer touch, and was able to get it safely hung without upsetting the barstool. 

The ghost of Feldon J. Pinkle

The latest in a 'series' of rustic signage has the circus theme once again. The event this time is known far and wide as Barnyard Follies. It is a delightful show run by the legendary Feldon J. Pinkle. At 10-cents per ticket, the tents are going to fill up fast, so come early!

Acrylic on wood

approx 18" x 24"

The panel itself was part of a dresser someone had tossed in the alley near my house. For those new to the blog, my neighborhood is a series of streets crossing one another at right angles, with alleys running between each pair of roads. The collective consciousness of most of the half-wits who populate this part of San Diego is that discarded furniture should be placed anywhere in the alley because, magically, it will eventually disappear. The majority of this refuse is unsuitable for repair, and tend to remain for quite awhile. Before the debris gets hauled away, I look for the wooden desks and such which have panels I can use.

The idea that came to me first was the Harmonica-playing goat. I had recently listened to a Stephen King audio-book, The Regulators. Somewhere midst the thousands of sentences was a brief mention of a goat named 'Dirty Face'. It was completely random and was not an important piece of the story, but it struck a chord with me. So that got the juices going.

Feldon J. Pinkle is not a real person. The name is something I remember from around 1990. At the time I worked in the graphics department of a small bi-weekly newspaper. The artists around me were brilliant. They were skilled artists and production grunts, as well as unsung heroes of the comedy stage. In particular, the brilliant staff artist, M.P. Opriska, was a constant source of wit. He first mentioned Feldon J. Pinkle in, I believe, an editorial cartoon. The name was clearly memorable to me, and was given new life in my art.

The idea for 'Barnyard Follies' came from that era as well. The production manager, Mike Reilly, had served in the navy before joining us at the paper. He had a never-ending cache of tales from the ships he served on. One story, told with clear disgust in his voice, involved him visiting a fellow sailors quarters only to find a group of sailors watching an adult film wherein the women actresses are loving some farm animals very much. Mike did not stick around to see who was cast in the film, but he did learn that the title was 'Barnyard Follies'. So, I pulled the thought from my filing cabinet brain and used it here.

The rest was stream-of-consciousness. I figured 10-cents was probably the going rate for such a show sometime in the past. And, since there was a lot of imitation in circus acts of yore, I thought it would be funny to mention Dirty Face was merely the 2nd best act of its kind. This allows us to imagine just how good the BEST harmonica-playing goat must have been.

Stymie Has a Posse

OTAY

20" x 36" Acrylic on wood

"Hey, wait a minute! Thats not Stymie! Thats Buckwheat!"

"No way, man! Thats Eddie Murphy AS Buckwheat."

...and Buckwheat is a close acquaintance of Stymie, and therefore a member of his 'posse'. If, finally, all this talk of posses seems rather out of place in relation a portrait of 'Buh-weet', you may be the lucky one. For the rest of us, the onslaught of Obey-brand everything came out of nowhere and everywhere concurrently, ensuring none who were aware of it could ever forget it. Obey and it's mascot, Andre, were ubiquitous before becoming ubiquitous, dig? Is any of this getting through to you?

Enough BS. Lets talk about the riff.

I conjured up this take on Shepherd Fairy's (sic?) cash cow years ago. It always seemed worthy of creating, I just never found the right surface. As I have stated before, the surface generally gives me some kind of idea for what should be put down on it. This panel from a cherry desk called on me to, at long last, paint Buckwheat.

For those of you who read my details, I will let you in on a secret idea which may forever go undone, but is no less nansensu than 'Otay': Picture a high-contrast image of a hasidic Jew... suns rays eminating from behind... you know where I am going with this... at the bottom: OiVey.

Yeah. I am pretty sure that one will go undone.